FOR SALE

 


 

CD:‘Sound Meditation with Shakuhachi’

Stephanie Hiller

£10 & £1 p&p (UK rate)

 

 

 

This CD of Shakuhachi music is designed to be used as an aid to meditation or relaxation, and therefore has a cyclical structure.  It begins with lighter, folk-style tunes (‘Minyo’), taking you gradually into deeper, more meditative zen pieces (‘Honkyoku’), returning to lighter pieces towards the end.  It ends, as it begins, with the folk tune ‘Komoro Bushi’, albeit played on a slightly longer Shakuhachi, with a different timbre, to reflect the subtle changes that can occur during meditation. 

 

The CD is designed to be listened to in its entirety, as a complete meditation.  You may prefer to listen on headphones, which will minimise any disturbance from outside sounds, and enhance your overall experience.  In keeping with its meditative quality, the recording level has deliberately been kept relatively low.

 

It is recommended that you find a comfortable, warm place to sit or lie down, where you will be undisturbed for the duration of the CD (c1 hour).

 

The price of the CD is £10 & £1 p&p (UK rate). For overseas postage, please enquire.

 

To purchase a copy, you can pay via Paypal to the email address: stephaniehiller9@yahoo.co.uk   Alternatively, you may send a cheque, payable to Stephanie Hiller, to the address below:

 

Hillside Cottage

West Horrington

Wells
Somerset BA5 3ED

 

‘Sound Meditation with Shakuhachi’

Stephanie Hiller

 

1. Komoro Bushi (folk tune)(1.8 Shakuhachi)

This tune is called ‘Song of Komoro’.  The words of the song say, “Again this morning, I set out from Komoro.  I can see the smoke rising from the Asama volcano”.

 

2. Akita Obako (folk tune)(1.9 Shakuhachi)

The name of this piece means ‘Girl from Akita’.  It is a local folk tune from the Akita region of Japan.

 

3. Fukuchiyama Ondo (folk tune)(1.9 Shakuhachi)

Unfortunately, I don’t know anything about this folk tune.  I was sent a recording of it by a fellow player in America, who had no information except the name.  It is a very sweet and beautiful piece.

 

4. Sakura (folk tune)(2.2 Shakuhachi)

This is probably the most famous folk tune in Japan. The name means ‘Cherry Blossom’ and it celebrates a key annual festival in Japan each May, when people travel long distances to admire the Cherry Blossom and to spend whole days picnicking amongst the trees.  Special radio stations are set up, giving daily announcements to inform people where the best blossom can be found on that day.

 

5. Murasaki Reibo (‘Honkyoku’ - traditional Zen repertoire)(2.2 Shakuhachi)

Reibo (“bell”) is a word that appears in many zen pieces, as it represents the famous bell of the monk Fuke, who founded the shakuhachi-playing Fuke sect of zen Buddhism.  This version of the piece is attributed to the famous (and somewhat notorious!) Shakuhachi player, Watazumi (1911-1992).

 

6. Tamuke (‘Honkyoku’ - traditional Zen repertoire)(2.6 Shakuhachi)

The name of this piece means ‘Blessing’. It is often played at funerals and is said to aid the passing of souls from one life to the next.  This piece, and the two which follow, are played on a very long shakuhachi with a particularly deep, haunting tone.

 

7. Sanya Sugagaki (‘Honkyoku’ - traditional Zen repertoire)(2.6 Shakuhachi)

Sanya’ means ‘3 valleys’.  This particular version comes from the Sugagaki region and it describes the life of a monk with its ups and downs, and essential repetition.  This is one of the earliest pieces I learned with my first Shakuhachi teacher, Yoshikazu Iwamoto, and it holds a special place in my heart.

 

8. Daha (‘Honkyoku’ - traditional Zen repertoire)(2.6 Shakuhachi)

This piece is said to represent the yearning call of the sea, and the rhythmic sound of waves breaking on the shore.  The evoking of nature is an important aspect in many traditional Shakuhachi pieces.

 

9. Lament (by Stephanie Hiller)(2.2 Shakuhachi)

This is a simple, folk-style piece written in 2006.  It is dedicated to Mr. James Smith (1912-2006).

 

10. Komoro Bushi (folk tune)(1.9 Shakuhachi)

This is a repeat of the opening folk tune “Song of Komoro’, signalling the end of the “Sound Meditation”.

 

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